The Representation of Bisexuality in Avatar: The Rise of Kyoshi by F. C. Yee

Abdurrafi Nugraha Putra; Mochamad Ilham; Supiastutik Supiastutik

doi:10.17977/um064v6i32026p412-420

Authors

Abdurrafi Nugraha Putra Universitas Jember
Mochamad Ilham Universitas Jember https://orcid.org/0000-0001-7269-7300
Supiastutik Universitas Jember https://orcid.org/0000-0003-0562-7278

DOI:

https://doi.org/10.17977/um064v6i32026p412-420

Keywords:

Bisexual, Representation, Homosocial Desire

Abstract

LGBT identities are often perceived as deviant within society; however, their representation has increasingly appeared across various media, including films, novels, and music. This study examines the representation of bisexuality in Avatar: The Rise of Kyoshi by F. C. Yee*. The data are drawn from narrative elements that reflect bisexual themes and are analyzed using Stuart Hall’s theory of representation, supported by Eve Kosofsky Sedgwick’s concept of homosocial desire. The findings show that bisexuality is represented through Kyoshi’s relationships with two characters: Yun (male) and Rangi (female). These relationships develop through three phases: heterosexual, homosocial, and homosexual. The interaction between Kyoshi and Yun reflects heterosexual intimacy, while her relationship with Rangi evolves from admiration and emotional closeness into romantic same-sex attraction. This progression supports Sedgwick’s idea of a continuum between homosocial bonding and homosexual desire. Furthermore, the study finds that the inclusion of bisexual elements is not solely the author’s original construction. Kyoshi’s bisexuality had previously been established in The Legend of Korra: Turf Wars, and the novel further develops this canonical aspect. Overall, the novel demonstrates how bisexuality can be represented as a dynamic and evolving identity within literary narratives.

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