Konstruksi sosial masyarakat Desa Kauman atas seni tari Reyog Ponorogo

Abstract

This study aims to describe the history of Reyog Ponorogo in Kauman Somoroto Village in general, the meaning that exists in the elements of Reyog Ponorogo dance, and the people of Kauman Village when studied with the social construction of Reyog Ponorogo Dance. The type of research used is descriptive qualitative, with a qualitative approach, and uses a social construction perspective. The results showed that there were versions of the Reyog story, namely the Bantarangin version and the Ki Demang Kutu Suryongalam version. There are several elements in the performance of the Reyog Ponorogo dance, namely the Dadak Merak mask, offerings, musical instruments, and senggakan. Everything has its meaning. The people of Kauman Village, when examined with the social construction of the Reog Ponorogo Dance, then fulfill three simultaneous processes of social construction, namely externalization, then objectification, and internalization.

Penelitian ini bertujuan untuk mendeskripsikan tentang sejarah Reyog Ponorogo di Desa Kauman Somoroto secara umum, makna yang ada pada unsur tari Reyog Ponorogo, serta masyarakat Desa Kauman bila dikaji dengan konstruksi sosial terhadap Seni Tari Reyog Ponorogo. Jenis penelitian yang digunakan deskriptif kualitatif, dengan pendekatan kualitatif, serta menggunakan perspektif konstruksi sosial. Hasil penelitian menunjukkan bahwa ada versi cerita Reyog yakni versi Bantarangin dan versi Ki Demang Kutu Suryongalam. Terdapat beberapa unsur dalam pementasan seni tari Reyog Ponorogo yakni topeng Dadak Merak, sesajen, instrumen karawitan dan senggakan. Semuanya memiliki makna tersendiri. Masyarakat Desa Kauman bila dikaji dengan konstruksi sosial terhadap Seni Tari Reog Ponorogo maka memenuhi tiga proses konstruksi sosial yang berjalan simultan yaitu adanya eksternalisasi, kemudian objektivasi, dan internalisasi.